Late Night with Devil (2024) Review: “Engaging and Unsolved with Adequate Horror”

 


Director: Colin Cairnes, Cameron Cairnes

Starring: David Dastmalchian, Ingrid Torelli, Rhys Auteri, Laura Gordon, Ian Bliss

Producers: Kristina Ceyton, Samantha Jennings

Production House: IFC Films

Music Director: Burkhard Dallwitz

Cinematography: Matt Toll

Editor: Pappi Corsicato

Genre: Horror, Thriller

Language: English

Runtime: 1h 30m

OTT Platform: Lionsgate Play


Plot:

Set in 1977, Late Night with Devil revolves around a fictional live television talk show, hosted by Jack Delroy (David Dastmalchian). On Halloween night, Jack plans a groundbreaking episode involving a psychic and a possessed girl to boost the show’s declining ratings. As the episode progresses, things take a horrifying turn, leading to real-life paranormal occurrences on live television. What starts as a regular broadcast soon turns into a night of terror as the audience witnesses eerie events unfold before their eyes, leading to an unsettling conclusion that leaves more questions than answers.


Performances:

David Dastmalchian:

David Dastmalchian gives a standout performance as the host Jack Delroy. His ability to balance the charm of a talk show host with the emotional depth required for the more intense horror sequences is remarkable. He truly shines during the film’s most terrifying moments, maintaining a strong screen presence throughout.

Ingrid Torelli:

Ingrid Torelli as the possessed child delivers a chilling and convincing performance. Her portrayal is both believable and terrifying, making her scenes some of the most impactful in the film. She embodies the role with intensity and realism.

Rhys Auteri:

Rhys Auteri provides a needed comedic element as Gus, Jack’s co-host. His lighthearted moments bring relief amidst the horror and are executed with great comedic timing, showcasing his versatility.

Laura Gordon:

Laura Gordon’s performance is commendable, especially in her interactions with the possessed child. Her control over the emotionally intense scenes, particularly during the demonic possession sequences, adds depth to her role.

Ian Bliss:

Ian Bliss plays a satirical role as a critic of demonic phenomena, injecting subtle humor and irony into his performance. His portrayal adds a unique layer to the film, especially in scenes where his skepticism clashes with the supernatural events unfolding around him.

Other Supporting Cast:

The supporting cast contributes solid performances, enhancing the film’s atmosphere. Their natural portrayals help build the tension throughout the movie.


Technical Aspects:

Direction:

Colin and Cameron Cairnes bring a unique vision to the horror genre by blending a live TV show format with supernatural elements. Their direction maintains the suspense effectively, though some plot points are left unresolved. The pacing dips slightly in the middle but picks up in the pre-climax, building toward an eerie and unsolved finale.

Cinematography:

Matt Toll’s cinematography is a key strength, effectively capturing the look and feel of a 1970s live TV show. The use of vintage camera angles and zooms gives the film an authentic period vibe, immersing viewers in the era.

Music:

Burkhard Dallwitz’s background score and re-recording perfectly complement the horror sequences, building tension and maintaining an eerie atmosphere throughout the film.


Strengths:

  • Original plot concept
  • Standout performances, especially by David Dastmalchian and Ingrid Torelli
  • Adequate horror elements
  • Authentic 1970s TV show aesthetic


Weaknesses:

  • Confusing pre-climax
  • Unresolved plot points that leave the audience puzzled


My Personal Take on Cinema:

Late Night with Devil delivers an engaging blend of supernatural horror and psychological suspense. The concept of a live TV show turning into a real-life horror scenario is unique and executed with enough intensity to keep the audience invested. David Dastmalchian’s performance as the charismatic host is a major highlight, and Ingrid Torelli’s portrayal of a possessed child is equally impressive. The cinematography’s retro style effectively transports viewers to 1977, creating an immersive experience. However, the film’s confusing pre-climax and unanswered questions may frustrate some viewers. For fans of the horror genre, though, this film offers just the right amount of chills and thrills.


Rating:

2.75/5

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