Kanguva (2024): “Can go Wah ? No! "
Director: Siva
Starring: Suriya Sivakumar, Bobby Deol, Disha Patani, Yogi Babu
Producers: KE Gnanavelraja, Vamsi Pramod
Production House: Studio Green, UV Creations
Music Director: Devi Sri Prasad
Cinematography: Vetri Palanisamy
Editor: Ruben
Language: Tamil (Original)
Genre: Action,Drama
Runtime: 2hr 34mins
Plot:
The story of Kanguva revolves around Francis, a man determined to protect a young boy in both past and present times. In the past, there are five islands, each representing one of the elements, with Suriya’s clan uniting them. When a conflict over the boy arises among the clans, it triggers a series of battles. As the narrative alternates between past and present, Francis’s intuition and resolve drive him to save the boy in both timelines, bringing together themes of loyalty, instinct, and sacrifice.
Performances:
Suriya Sivakumar:
Suriya’s commitment to his role is apparent, bringing intensity and energy to the screen. However, his frequent outbursts and shouting occasionally detract from the overall impact, making his performance feel uneven despite his dedication to the character.
Bobby Deol:
As the antagonist, Bobby Deol’s role lacks depth, leaving limited room for a memorable impression. His character feels underdeveloped, missing the opportunity to showcase a compelling villain.
Disha Patani:
Disha’s role is minimal, primarily limited to the first half, with little influence on the story. Her character comes and goes, making her presence feel like a missed opportunity for further engagement.
Yogi Babu:
His comedic attempts are mixed, with some moments bringing a smile and others feeling forced, often veering into awkwardness.
Other Supporting Cast:
The ensemble cast feels overdone, with many characters delivering exaggerated performances. Instead of adding to the film, this overacting detracts from the overall experience.
Technical Aspects:
Director:
Siva’s approach feels disjointed, with more emphasis on spectacle than narrative depth. Although known for commercial storytelling, he struggles to balance the grandeur with coherence here. The storyline had potential, but the execution leaves much to be desired.
Music Director:
Devi Sri Prasad’s music and score are uneven, with overly loud background music that drowns out dialogue. For a composer of his caliber, this feels subpar.
Cinematography:
While Vetri Palanisamy’s framing and angles are creative, the consistently dark visuals make scenes hard to follow, detracting from the overall visual impact.
Editor:
Ruben’s editing work is competent, though the pacing could be more cohesive, as some scenes feel unnecessarily prolonged.
Strengths:
- 3D Effects
Weaknesses:
- Performances
- Direction
- Music
- Screenplay
My Personal Take on Cinema:
‘Kanguva’ is a visually ambitious film that relies heavily on 3D effects rather than substance. The storyline had the bones of a compelling tale, but the execution falters, leaving the film feeling hollow. Siva's decision to focus on grand visuals and loud music detracts from the emotional weight and narrative coherence. Suriya’s committed performance and screen presence are highlights, but his character is marred by overdone scenes and misplaced dramatics. The dark visuals make it difficult to stay engaged, and DSP’s overpowering score further distances viewers. Overall, Kanguva is an avoidable film lacking emotional depth and clarity, leaving viewers unfulfilled with its messy storytelling and direction.
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