Oshana (2024) - A promising concept lost in weak execution and poor storytelling.


Directed by: N. V. Manoj
Written by: Jithin K. Jose
Starring: Dhyan Sreenivasan, Althaf Salim, Sminu Sijo
Genres: Romance
Categories: Malayalam Featured, Malayalam Movies 2024
Country: India
Language: Malayalam


Synopsis:

Oshana follows the life of John, a man who experiences multiple tumultuous romances, each bringing its own drama, excitement, and lessons. The premise teases an intriguing conflict—John, a priest-to-be, falls in love with a woman who is on the path to becoming a nun. However, the execution fails to capitalize on the story’s potential, resulting in a film that struggles with pacing, continuity, and engagement.


Strengths:

  1. Concept:
    The central idea of a romance between a soon-to-be priest and a soon-to-be nun is unique and intriguing. This premise alone could have provided rich emotional depth and tension.

  2. Music & Visuals:
    The soundtrack is decent and complements the romantic theme, though none of the tracks are particularly memorable. The cinematography and production values are solid, capturing the film’s atmosphere well.

  3. Plot Potential:
    At its core, the story had the ingredients for a compelling narrative. Unfortunately, the execution doesn’t do justice to the material.


Weaknesses:

  1. Weak Direction & Execution:
    The film lacks a clear vision. The direction is inconsistent, leading to a disjointed viewing experience. Scenes feel rushed or stretched beyond necessity, making it difficult to stay engaged.

  2. Poor Screenplay & Pacing:
    The screenplay struggles with flow, making the narrative feel choppy. Scenes jump abruptly, leading to continuity issues that disrupt immersion. The slow pacing further diminishes the film’s impact.

  3. Lackluster Performances:
    While the cast delivers competent performances, none of them stand out. Even Dhyan Sreenivasan, who has previously showcased strong acting skills, is unable to elevate the material due to weak character development and uninspired direction.

  4. Unfulfilled Storytelling Potential:
    A romance between a priest-in-training and a nun-in-training has the potential to explore themes of love, faith, and internal conflict. However, the film merely scratches the surface, failing to delve deep into the emotional or moral complexities of such a relationship.

  5. Continuity Issues:
    The film’s editing and scene transitions feel abrupt, making it difficult for viewers to remain immersed in the story.


My Personal Take On Cinema:

Oshana had the potential to be a compelling and unconventional romance but falls flat due to poor execution. The pacing, screenplay, and direction make it a frustrating watch, with little emotional impact. While the central plot idea is interesting, the film never fully explores its themes in a meaningful way.

The result is a forgettable romance that fails to make an impression, despite a concept that could have been developed into something much more engaging.


Rating: 

1.75/5

 

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